Friday, 27 January 2012

Likes, Dislikes & Inspiration

Over the past few Media lessons we have looked at various film openings, both thrillers and other genres, and I have formed opinions of which film openings I thought were most effective and those that I thought were decidedly less effective.
We looked at films such as The Kings Speech, Minority Report, Atonement, The English Patient and The Number 23.

The Kings Speech:
I like the simplicity of this opening, it uses simple yet varied camera shots of the microphone, and uncomplicated shots of Colin Firth before he goes to give his speech. This is effective as it establishes the main character to the audience, and also establishes the main characters fear or downfall (the microphone). I think the message and tone of the film is set within the opening titles in a very clean and simple way, the music that stops and starts is also effective as it builds tension before Colin Firth goes to give his speech.

Minority Report:
I disliked this opening as I thought it was overcomplicated, I found it jarring and found it added nothing to establishing characters or location. The flashbacks and flash forwards were confusing and didn't make me want to continue watching the film. It also didn't establish the genre of the film effectively either, it would seem at first look that it would be a horror as opposed to a science fiction film.

Atonement:
I liked the opening of Atonement, again for its simplicity, the use of the typewriter at the beginning is very effective, and gives the institutional context and title of the film in a simplistic yet creative way. The use of the diagetic sound of the typewriter, then transitioning into part of the music is a clever way of fading the typewriter noise into the music.

The English Patient:
I disliked this opening as I felt it gave nothing to the audience about the plot, and could be considered to be tedious, it doesn't encourage the audience to want to continue watching the film. However I think that the graphic match between the painting and sand dunes is an interesting and effective way of transitioning into the location of the film.

The Number 23:
The erratic use of sharp short changing camera shots in this title sequence is effective because it immediately puts the audience on edge, and builds tension within the first few seconds. The audience get an idea of the genre of the film very quickly, and the continuous facts about the number 23 give the audience an understanding of what the film is about. The music continuously builds tension by getting louder and faster, the combined diagetic and non diagetic noise such as the music and the typewriter, with the sounds of the splatter of blood builds tension and intrigue. The use of blood stains on the pieces of paper suggest that the film will have an air of violence, also building suspense for the audience. The suspense created reaches a peak at the very end of the sequence when the music reaches a crescendo and the screen is engulfed in a blood stain. I like this title for its simple concept, and effective execution, creating suspense, intrigue and tension.


I have gained a lot of inspiration from the titles I have have watched, I found that I preferred the simple yet effective title sequences to the more complex ones, as they have more impact on the audience. I would like to incorporate some of the techniques used in the titles I liked as they are relatively simplistic to do and still engage the audience and create tension and suspense.

Conventions of Film Openings and Titles : The Pink Panther 2

I created a timeline of the title sequence of Pink Panther 2, to see whereabouts the different titles came in and at which times, for example; what time the institutional context appeared.
This is my timeline, I have taken closer up pictures so the writing is
more visible.

The institutional context comes first, at 0.02 and 0.05
Then the main actors name at 0.25, then the title of the film at 0.32. This
shows the order of importance of the titles, that the institutional context is
the most important, then the leading actors name, then the title of the film.

After the supporting actors are listed the crew are listed shortly after
again showing who has higher priority billing over others.


From this timeline and watching other opening sequences, I have found that the institutional context nearly always comes first, then possibly the actors names, then the title of the film, and supporting cast, and then crew. The titles appear to come in order of the most important characters/actors in the film, however these nearly always follow the institutional context, showing its significance. The order of the titles is something I will keep in mind when making my opening.

180 degree filming rule

The 180 degree filming rule is a rule that states all coverage should be shot from one side of an "imaginary line". The line is "drawn" by the actors - if an actor is running or walking in a certain direction, the path they are following is a line, similarly if two actors are standing opposite each other a line can be drawn to connect the two places where they are standing and extend the line to the edges of the set. The camera can only film on one side of the line otherwise the image would be flipped causing confusion and a loss in continuity.  
  
I have added a video to explain the 180 degree rule further. 

Thursday, 26 January 2012

Introduction to our group!

This is my first blog of media coursework, so I will introduce the group I will be working with on this coursework:

India Loughlin: My strengths are my orgainisational skills and planning, which will be uselful when planning our opening.

Angahard Norris: Angharads strengths are in technology, she is very good at photoshop and iMovie, which will definatley be helpful for our coursework as we need to be able to edit our film opening.

Nathalie Osada: Does photography A-Level Photography so she her strengths will lie in filming, as she will have had previous experience with cameras and photography.